
Date of Birth: January 28, 1996
joe45294529@gmail.com – English correspondence (영어)
joe1346@naver.com – Korean correspondence (한글)
Mixing Engineer & Music Producer
Bachelor’s Degree in Physics,
Yonsei University (Mar 2015 – Feb 2023)
Master’s Student in New Media Music,
Sangmyung University (Sep 2023 – Aug 2025)
Researches
Kim, J. (2025). Group delay-driven crossover optimization for subwoofer satellite systems at listening position. Acta Acustica, 9. doi: 10.1051/aacus/2025037
Kim, J., and Chang, M. (2024). A Study on Loudness Trends in Music from 1995 to 2024: Grammy Nominees in Focus. Journal of Cultural Industry Studies 24, no. 4 : 215–221. doi: 10.35174/JKCI.2024.12.24.4.215
Books
The Basics of Mixing: The History, Principles, and Applications from A to Z(믹싱의 기초 : 믹싱의 A부터 Z까지 역사와 원리 및 활용), ISBN: 9788924135428
Working Experience

Sangmyung University Graduate School – Adjunct faculty, instructing private lessons for music students (Sep 2025 – Present, Seoul, South Korea)

JY Music Studio – Self-employed Recording, Mixing Engineer (Sep 2025 – Present, Seoul, South Korea)
Soop Record Studio – Audio Engineer Intern, conducted voice-over recording for Mabinogi Mobile and assisted with various recording projects (Dec 2022 – Feb 2023, Seoul, South Korea)
Korea Arts & Culture Education Service (ARKO) – Assistant Instructor for Mixing Using IR Reverb seminar, led the afternoon session on day 2 (Oct 21–22, 2025, Ilsan, South Korea)

Études: Triptych – Chief Sound Director, On-site Recording & Live Album Mixing/Mastering (Oct 2025)
FRISKETCH X Yoon Yeon-jun | Um – Chief Sound Director, On-site Recording & Mixing/Mastering (Oct 2025, Jun 2025)
Woo-o, Uk-o (郁烏), Baek-o (白烏) | K’Arts Creative – Chief Sound Director, On-site Recording & Mixing/Mastering (Jul 2025)
Bibinos Eaiste – Vocal Post-production and Directing Assistant for Two Tracks (Mar 2025)
Mabinogi Mobile – Voice Recording and Editing Engineer (Feb 2023)
Gosu (Naver Webtoon-based Mobile Game) – Mixing Engineer for Promotional Video Music (Jan 2023)
Piano Forest Vol. 1 – Recording Engineer for Compilation Album (Dec 2022–Feb 2023)
Musical Rahest Live OST CD – Mastering Engineer (Dec 2022)
Dasoni Choir for Individuals with Developmental Disabilities – Recording Engineer for Single Album (Sep 2022)
Arturia Minifuse 1 & 2 Audio Interfaces – Official Manual Korean Translator (Oct 2021)
Awards
Gold Award in Composition, DTM Koshien 2025, selected among 431 submissions, hosted by Movement Production, Japan (2025)
Encouragement Award in Composition, Feel the Science, Korea Foundation for the Advancement of Science and Creativity (KOFAC), South Korea (2023)
Encouragement Award, Internet Dream Creative Children’s Song Festival, Korea Viewers Media Foundation and Korea Communications Commission, South Korea (2018)
Excellence Award, Copyright Content Competition, Jeonnam Information and Culture Industry Agency (JICA), South Korea (2018)
Seoul Metro Artist Program, selected performer, Seoul Metropolitan Government, South Korea (2016)
As an engineer, I have participated in various recording, mixing, and mastering projects. Notable works include mixing for the promotional video of the mobile game Gosu, recording a single for Dasoni, a choir for individuals with developmental disabilities, and partially handling the recording and editing of voice acting for the Mabinogi mobile game.




Also, I work in the live industry as well. I served as the chief sound director and live mixing engineer for “Woo-o, Uk-o (郁烏), Baek-o (白烏) | K-Arts Creative” at Kim Hee-Soo Art Center, and for “Études: Triptych” at Seoul National University Power Plant. I also handled the mixing and mastering for the live album and post-production for the concert video.
As an indie musician under my real name, I have recorded and mixed my own songs, such as “All Illusions,” “Rest,” and “Noise,” while also working on projects for other indie artists.
In Korea, under the pseudonym “The Musician Who Practices Kendo,” I run a blog titled A Musician’s Blog: Kendo and Baking as Hobbies.


