iZotope Ozone 12 Release and Upgrade Sale (Until October 6)

Below is a natural, precise, and professional English translation of your blog post, tailored for an English-speaking audience. It maintains the conversational yet technically accurate tone of the original, avoiding any awkward phrasing or overly casual language that could undermine its credibility. The [Link] placeholders are included as requested, and the table is preserved in a clear, readable format. The translation is crafted to feel engaging and authentic for an international audio engineering audience.


iZotope Ozone 12 Release and Upgrade Sale (Until October 6)

Hello! I’m Jooyoung Kim, an engineer and music producer.

I’ve been meaning to continue my synthesizer explanation series, but I’ve been swamped with studying English lately… time is slipping away! ^^;;

Instead… well, not quite “instead,” but iZotope recently released Ozone 12, and to celebrate, Plugin Boutique is holding a sale. So, I thought I’d dive in and review it.

I received Ozone 12 as an NFR (Not for Resale) copy for this review. If you purchase through the links in this post, I’ll earn a small commission, which helps keep the lights on!

Let’s take a closer look, shall we?

Plugin/Module Overview

Plugin/Module NameDescriptionElementsStandardAdvanced
Stem EQIndependently EQ vocals, bass, drums, or instruments in a stereo file
Bass ControlAdjusts low frequencies
UnlimiterRestores overly compressed transients (powered by machine learning)
ClarityCreates smooth masters (seems like high-frequency enhancement)
MaximizerLimiter
EqualizerTraditional EQ
ImpactFine-tunes dynamics
StabilizerAdaptive mastering EQ
ImagerStereo imager (free to use!)
Match EQMatches frequency characteristics to a reference track
Master RebalanceAdjusts stem volumes at the mastering stage
Low End FocusLow-frequency specialized processor
Spectral ShaperFrequency-specific shaper
Dynamic EQDynamic EQ
ExciterExciter (think saturator, with 7 types)
DynamicsCompressor/limiter
Vintage TapeTape emulation
Vintage CompressorVintage-inspired compressor
Vintage LimiterVintage-inspired limiter
Vintage EQVintage-inspired EQ
Other Features
Master Assistant: Custom FlowCreates a customized mastering chain
Master Assistant ViewVisualizes the mastering process in Ozone 12
Stem FocusPrecise stem separation
Track ReferencingManages reference tracks
Transient/Sustain ModesEmphasizes transients or sustain
Assistive Vocal BalanceAdjusts vocal clarity and balance
DitherDithering
Codec PreviewTests compressed formats like MP3/AAC
Additional Plugins
AudiolensAudio analysis and reference tool
iZotope RelayLightweight channel strip for communication between iZotope plugins
Tonal Balance Control 2Frequency balance analyzer

Wow, that’s a lot, isn’t it? 🙂

The Elements version doesn’t include individual plugins and is limited to a streamlined version of the integrated plugin (number 5 in the list). Since there’s so much to cover, I’ll focus on the key plugins and the new additions in Ozone 12.

1) Stem EQ

I’ve never been a huge fan of stem separation tools in the past, but the technology has come a long way.

It’s not perfect, but it doesn’t sound unnaturally detached either. The way EQ is applied to stems feels impressively natural.

Compared to the older Master Rebalance, Stem EQ is much more precise. The sound is noticeably different, suggesting they’ve updated the algorithm.

This isn’t just for mastering engineers—it’s versatile enough to significantly alter the feel of the source material, making it a useful tool for many users.

2) Bass Control

This one’s a winner! iZotope plugins are known for their intuitive interfaces, clearly showing what you’re adjusting. Bass Control is no exception, displaying only the low-frequency waveform to give you a clear sense of whether the sound feels light, heavy, or punchy.

3) Unlimiter

Think of Unlimiter as an attack shaper. It doesn’t fully restore the original transients, but it does a great job of naturally enhancing them.

4) Impact

This is a fun one. Impact lets you emphasize or reduce transients on a per-frequency basis. It’s another reminder of how critical transients are in both mixing and mastering!

Applying it lightly to the low end can group the kick and bass together, creating a cohesive, groovy feel. Pretty cool!

5) Ozone

This is the core of it all, right? One-click mastering!

Personally, I’m not a huge fan of one-click solutions, and after testing it on a few projects, it feels like there’s still room for improvement.

That said, unlike older versions that relied solely on one-click mastering, you can now pick and choose effects to create a custom chain. Starting with suggestions for EQ, limiter, and imager can be a great jumping-off point! 😊

The other plugins are fairly well-known, so I’ll skip the deep dive there.

Both iZotope and Acon Digital have made it possible to perform stem mixing at the mastering stage using just a stereo track. It’s wild how far we’ve come!

Oh, and among the Advanced version’s additional plugins, I highly recommend Tonal Balance Control 2. When my ears feel off (like when I’m under the weather), this plugin always reveals something’s slightly amiss.

It’s also fantastic for studying other tracks and establishing your own reference point. Definitely give it a try!

Ozone comes in three versions: Elements, Standard, and Advanced. The table above details which plugins are included in each, so check it out to find the one that suits your needs.

Personally, I love Low End Focus, Stem EQ, Bass Control, and Impact, so I’d recommend Advanced. Standard is a solid choice too, but Elements might feel a bit limiting.

You can try the demo to see for yourself. I hope you find it useful!

Until next time! 😊


Unknown's avatar

Author: Jooyoung Kim

Mixing Engineer, Music Producer

Leave a comment