Takamine D5D NAT Guitar Review

Hello! I’m Jooyoung Kim, a mixing engineer and music producer.

The D series is Takamine’s entry-level lineup, structured as D-series, G-series, and Pro-series.The D-series is numbered from 1 to 5, with models 1 to 3 featuring laminated tops and models 4 and 5 having solid spruce tops. The D4 comes with a mahogany back and sides, while the D5 features rosewood back and sides.Let’s dive into the details!

  • Appearance

The packaging is slightly different this time, prominently displaying the D-series label.

This model has bridge pins. The nut, saddle, and pins are all plastic.

The guitar comes strung with discontinued D’Addario EXP strings. It seems that while individual packs are sold out, bulk packs are still available.

The neck has a matte finish, and the binding is a slightly yellowish plastic.

As an entry-level model, the wood grain isn’t perfectly uniform, but it’s challenging to find a foreign brand with these specs at this price point.

  • Specifications
  1. Solid spruce top
  2. Rosewood back and sides
  3. Rosewood fingerboard
  4. Plastic saddle and nut
  5. Plastic pins
  6. 42.5mm nut width
  • Sounds

I received this guitar on the same day as my last review, so the setup is identical. The recording was done using an Audient id14 mk2 and an Austrian Audio oc818 in stereo. No reverb or delay was added; only the volume was adjusted.

A quick disclaimer: I haven’t played guitar in a while, so my playing might not be the best. Please focus on the sound quality.

For the best experience, increase the video quality on YouTube to avoid losing high frequencies.

1) Strumming

2) Fingerpicking (There’s some noise, so please turn up the volume.)

  • Overall Impression

The sound is loud and robust, but the price does reflect in the quality. Compared to the G30 series, the D5D’s sound feels a bit more scattered, possibly due to the plastic nut and saddle. Changing the strings might help achieve a more mellow tone.

This guitar might be ideal for country music where a more open, airy sound is preferred. While the D5D has solid specs, the sound quality doesn’t quite match the G30CE models, which are exceptionally well-made for their category.

Like the other models, the neck tends to lift slightly. Some adjustments to the truss rod, saddle, and nut might be necessary upon receiving the guitar.

Priced at 495,000 KRW(about 360$), it is approximately 170,000 KRW cheaper than the 30 series, which is a noticeable difference.

The neck is slightly thicker than the G series, which I personally prefer. My main guitar has a neck width of 45mm, so I like a bit of heft. However, everyone has their preferences, so it’s best to try a guitar in person and use that as a reference.

Generally, Taylor guitars are known for their slim necks. The G series has a neck similar to Taylor’s 100 and 200 series, while the D series is slightly thicker.

Takamine GN30CE NAT Guitar Review

Hello, this is Jooyoung Kim, a music producer and mixing engineer.

Today, I’m going to review the Takamine GN30CE NAT guitar. Let’s get started!

  • Appearance

The packaging is the same as the GD30CE NAT model I reviewed before. It includes a truss rod and a QC card.

Like the GD30CE NAT, this model passed QC in 2019. Additionally, it has a pinless bridge.

The overall look is clean.

The outer binding is black, so there’s no worry about discoloration over time. Personally, I prefer black plastic binding.

Though it’s hard to tell, the body has a glossy finish, while the neck has a matte finish. This makes it easier to play.

  • Specifications

The GN30CE NAT is a top-solid model with a NEX-style body. The NEX body is Takamine’s version of a little jumbo, and it looks similar to a slightly larger GA (Grand Auditorium) body.

As you can see, it has a cutaway and is equipped with Takamine’s TP-4TD preamp.

Other specifications include:

  1. Solid spruce top
  2. Mahogany back and sides
  3. Synthetic bone nut and saddle
  4. 42.8mm nut width
  5. Ovangkol fingerboard
  • Sound

The sound was recorded together with previous recordings, using the same setup: a 2015 MacBook Pro with Audient id14 mk2 and oc818 for stereo recording.

As I mentioned before, I haven’t played the guitar in a long time, so please focus on the sound rather than my playing skills. Also, please listen in the highest quality possible, as YouTube lowers the high frequencies if not set to the maximum quality.

Let’s listen!

1) Strumming

    2) Fingerpicking (please increase the volume as it’s low. When I increased it myself, there was too much noise.)

    As with the previous review, I also recorded the sound from a Roland AC33 amp in mono.

    3) Amped strumming

    4) Amped strumming + adjusting the guitar preamp (I accidentally forgot to take a picture, but I set the lows to neutral, mids down, and highs up.)

    • Personal Overall Assessment

    Before playing, I expected it to be similar to a scaled-down jumbo body as described by Takamine. However, it felt more like a Taylor 14 or 16 in terms of body size and feel.

    The sound is neither completely thin like a parlor body nor fully resonant like a dreadnought, making it suitable for both strumming and picking.

    For those who find it difficult to handle guitars with large bodies like dreadnoughts, the NEX body is a good alternative as it’s smaller. Choosing a guitar that matches your body type can be an important criterion.

    Personally, I have a small stature and hands but prefer dreadnought bodies for their encompassing sound over the sharp clarity of smaller bodies.

    To diverge slightly, larger guitar bodies tend to have better resonance, making them ideal for strumming, while smaller bodies produce clearer single notes, which are better for melody. Typically, dreadnought bodies are used for strumming, OM or parlor bodies for melody, and NEX bodies can be used for both.

    Though I’m not particularly fond of GA or NEX bodies, they are stylish and well-designed. Taylor guitars, for example, have better sound in their 12 and 16 or 10 models, but the GA body (14) is the most popular in the second-hand market, likely due to its attractive appearance.

    This guitar has specs and looks comparable to Yamaha’s LS16. If you don’t prefer Yamaha’s characteristic high tones, the GN30CE NAT is worth considering.

    While it’s not my personal favorite compared to the GD30CE NAT, which I highly recommend, the GN30CE NAT has decent finish and sound quality.

    When purchasing, consider the following:

    1. It might be an older model like the QC date suggests.
    2. The neck might need adjustment with the truss rod.

    If these two points are acceptable, it’s a good choice.

    Takamine GD30CE NAT Guitar Review

    Hello! This is mixing engineer and music producer, Jooyoung Kim~

    Finally, I am writing a review for a Takamine guitar!

    Previously, I asked the Takamine headquarters about the guitar specifications since they weren’t clearly listed, but I haven’t received a reply yet. So, I’ll post the review first and update it later when I get a response.

    Today, I’ll be reviewing the Takamine GD30CE NAT guitar.

    Let’s get started!

    • Appearance

    Here is the packaging box, which was smaller than I expected. Inside is the GD30CE NAT guitar reviewing today. The packaging itself is quite standard.

    Included are a truss rod adjustment wrench and a QC card indicating it passed inspection in 2019. This makes it a slightly older model. The QC card shows a date from 2019, meaning this guitar is a bit aged.

    The preamp has a built-in tuner, making it convenient as you don’t need an external tuner. My first guitar had a built-in tuner, and it was incredibly convenient for tuning.

    Takamine’s signature split saddle is designed for precise intonation. A notable difference between the older and newer versions of the GD30CE is the bridge. The newer versions use bridge pins to secure the strings, while the older versions allow you to attach the strings directly to the bridge without pins.

    Bridge Differences

    • Pinless Bridge:
      1. The vibration is directly transferred to the bridge and guitar, enhancing resonance.
      2. However, if you don’t have a habit of loosening the strings after playing, the bridge can easily lift.
    • Pinned Bridge:
      1. The strings are secured differently.
      2. Just like the pinless bridge, if you don’t loosen the strings after playing, the bridge can lift and the neck can warp.

    Make it a habit to loosen your strings after playing or consider tuning half a step down as an alternative.

    I forgot to take a picture of the neck, but the back of the neck has a matte finish, making it easier to grip the fretboard.

    • Specifications

    The GD30CE features a dreadnought body with a cutaway and is equipped with the TP-4TD preamp, making it a solid-top guitar. The remaining specifications are:

    1. Solid Spruce Top
    2. Mahogany Back and Sides
    3. Synthetic Bone Nut and Saddle
    4. Nut Width: 42.8mm
    5. Ovangkol Fingerboard

    I inquired about the bridge material with the headquarters but haven’t received a reply yet. I will update this information once I get a response.

    • Sound

    I recorded the sound using the following setup:

    • MacBook Pro 2015
    • Audient ID14 (borrowed from a friend)
    • OC818 Microphone for stereo recording

    No reverb or delay effects were applied. I only adjusted the volume slightly and set the limiter to not exceed 1dB at peak level.

    Before listening to the sound, I must admit that I haven’t played the guitar for a long time, so my playing skills are rusty. Please focus on the sound rather than the playing.

    Sound Samples

    1. Strumming

    2. Fingerpicking (Apologies for the noise; please listen at a higher volume)

    3. Amp Strumming (Using Roland AC33 amp, recorded with OC818 in mono)

    4. Amp Strumming + Preamp EQ Adjustment

    • Personal Overall Impression

    The GD30CE NAT has decent finish quality, sound, pickups, and neck feel. It’s a well-rounded guitar with no significant flaws. It would make a great second guitar. (Although if I get another guitar, it would actually be my fourth one…!)

    Out of the guitars I recently demoed, this one impressed me the most, which is why I decided to write about it first.

    Pros
    • Good finish quality
    • Decent sound
    • Convenient preamp
    • Comfortable neck feel
    • Affordable price: 600$
    Cons
    1. Slightly aged model as indicated by the QC date.
    2. Most necks might need adjustment via the truss rod.

    Despite these two cons, it’s a great guitar if you can overlook them. It’s a solid choice for those who don’t like Yamaha’s high tones, offering a similar position to the Yamaha LL6 but with a different tonal character.

    I hope this review helps, and I look forward to sharing more reviews in the future!

    Takamine Guitar Pro Series Lineup Overview

    Hello, this is Jooyoung Kim, a mixing engineer and music producer. Following my previous discussion on the G Series, I’m here to provide an overview of Takamine’s Pro Series guitars.

    Let’s dive right in!

    • Pro Series
    The Pro Series features guitars with wood bindings and snowflake inlays, like the P7 series, which I personally love.

    All Pro Series guitars come with built-in preamps and are manufactured in Japan. The preamps in the Pro Series are interchangeable, allowing you to swap them as needed.

    Here’s a detailed breakdown of the Pro Series:

    One interesting observation is that some high-priced models are top-back solid rather than all-solid. This might be because the Takamine preamps are larger, making it difficult for solid wood sides to support them.

    Takamine’s CoolTube preamp (CTP-3) actually contains a tube, making it quite large. Personally, I love the Pro 7 series for its specifications and design, but the price is… quite high.

    The Pro Series guitars are best suited for those who lead worship frequently or perform often. However, the G Series offers excellent value for the price.

    Although the Pro Series guitars are entirely made in Japan and feature unique pickups, if you don’t need Takamine’s pickups, you might want to look for models without them. There are all-solid models available without pickups, which are much cheaper than the Pro 7 Series.

    The roasted tops, which have become a trend in the acoustic guitar market, have brought meaningful changes and continue to be popular.

    The Pro Series is denoted as P□△○:

    • □ indicates the Pro Series number.
    • △ indicates the body shape.
    • ○ indicates whether it’s a cutaway (C) or not.
    P7DC

    For example, P7DC means:

    • 7th in the Pro Series
    • Dreadnought model
    • Cutaway model

    P3MC means:

    • 3rd in the Pro Series
    • OM model
    • Cutaway model

    The body shapes are:

    • D – Dreadnought
    • J – Jumbo
    • N – NEX (Takamine’s little jumbo body)
    • F – FXC (Takamine’s grand concert body)
    • M – OM
    • NY – New Yorker (Takamine’s parlor body)
    • Final Thoughts on the Pro Series
    EF75M-TT

    The top-tier products are incredibly beautiful, like the EF75M-TT, which is limited to 100 units worldwide. Other lines such as TT (Thermal Top/Roasted Top), LTD (Limited), and TSP (Thinline) have smaller product ranges and will be discussed in future reviews.

    I hope this overview of the G Series and Pro Series has been informative. It took quite some time to compile this information directly from the site, but I hope it helps those looking for information on Takamine guitars.

    My next Takamine post will likely be a review. I’ve requested demos of some models with the best specifications for their price, which I’ll be picking up tomorrow. I plan to include sound samples and detailed photos.

    See you in the next post!