Korg Filter Ark Plugin Intro Sale (Until Jan 29)

Hello! This is Jooyoung Kim, an audio mixing engineer and music producer.

Recently, I found a very interesting filter effect plugin called the Filter Ark, made by Korg. Therefore, I requested an NFR (Not for Resale) code from Plugin Boutique for this review.

It was a really fancy and neat plugin. I think it is great to introduce this to music producers, electronic music makers, and electric guitar players.

If you purchase the plugin through the link included in this post, I’ll receive a small commission that helps support my work.

Ok.. Let’s start!


It’s quite difficult to download and register the product. You need to download the KORG Software Pass first, and then register the code you have.

After registering, you can download your plugin. They don’t use iLok, the common passkey used by many plugin companies. Therefore, you should not delete the KORG Software Pass program.


Looking over the plugin, you can see its clean, modern design. There are several modules at the bottom of the interface that resemble guitar pedals. Interestingly, these are all different types of filters!

Simple descriptions of these pedals are shown in the table below.

Filter NameCategoryKey Characteristics
MS-20Legendary AnalogRecreates the iconic 12dB/oct filter with distinctive distortion and powerful resonance.
PolysixLegendary AnalogA warm and smooth 24dB/oct Low Pass Filter known for its musicality.
miniKORG 700SLegendary AnalogFeatures the unique “Traveler” sliders (HPF/LPF) for thick, vowel-like textures.
ARP OdysseyLegendary AnalogIncludes all three revisions (Rev 1/2/3) with sharp, aggressive resonance characteristics.
ModalModern / PhysicalA physical modeling resonator that simulates the vibration of strings or metal plates.
VowelModern / FormantA formant filter that morphs between three vowels to create human-like vocal sounds.
Wave GuideModern / PhysicalBased on volca drum algorithms, ideal for creating metallic tubes or string-like plucks.
Spectrum TracerModern / ExperimentalCaptures frequency characteristics from audio files and applies them to the input signal.
MorphingModern / VariableAllows seamless morphing between Low Pass, Band Pass, High Pass, and Band Reject modes.
StereoUtility / StereoIndependent filter settings for Left and Right channels to create wide stereo imaging.
DriftUtility / StereoFeatures dual LPF/HPF with a ‘Delta’ parameter to add organic, drifting movement.
IR (Impulse Response)Modern / ConvolutionLoads IR files to simulate realistic spaces, speaker cabinets, or Lo-Fi equipment.
All PassModern / PhaseShifts the phase of the signal to create Phaser-like notches and unique tonal shifts.
Multi ModeVersatile / UtilityA flexible filter capable of everything from precise EQ-ing to aggressive sound shaping.

Four slots are available, and their routing can be adjusted.

Clicking the VIEW (SIMPLE) button displays the frequency response graph. This interface allows you to intuitively adjust macro controls and modulation assignments.

These functions help composers shape their sounds with greater precision and nuance. Modern composers often utilize multiple filters to create dynamic movement in their music. From this perspective, the wide array of filters and features in Filter Ark streamlines the sound design process, saving composers the time and effort typically required to craft complex textures.

It is hard to analyze all the filters, but you can listen to the sounds via the link above.

At just $53.9 (tax included), it’s quite affordable. I highly recommend this plugin to composers and music producers who work with heavy synthesizers or complex sound design.

That’s all for today! See you in the next post.

Lewitt Space Replicator Year End Sale (~50% off, until 4 Jan)

Hi! This is Jooyoung Kim, a mixing engineer and music producer. Today, I’ll introduce a room/headphone simulator, Space Replicator made by Lewitt.

I received the NFR code for this product from Plugin Boutique for this review, and if you purchase the plugin using the links included in this article, I’ll earn a small commission that helps me keep going…!

Let’s start!

Space Replicator is a plugin that uses HRTF (Head-Related Transfer Function) modeling to allow you to experience sound with a sense of spatial depth, making it sound like real acoustic space when listening through headphones or earphones.

While there are indeed several plugins offering similar virtual monitoring functions, and some competitors boast larger headphone/earphone catalogs, Space Replicator’s distinct advantage lies in its specialized focus on HRTF and the process of creating personalized binaural profiles.

If you select a headphone or earphone model that you own and that is supported by LEWITT, you can generate a personalized binaural profile through a few simple steps. Although the results may not be perfectly precise, the effect was noticeably effective when I tested it.

Furthermore, the plugin features 12 different virtual spaces, each offering various listening perspectives or speaker options, and it also provides 6 different headphone simulations.

My favorite virtual space is the Vienna Synchron Stage A, which accurately provides the acoustics of far-field speakers. Since small studio producers and engineers usually can’t access such a setup—and neither can I—this particular feature offers me a tremendous amount of practical things.

It is currently 50% off until January 4, 2026. Therefore, if you work in a space with acoustic limitations, I highly recommend this plugin.

That’s all for today. See you in the next post!

iZotope Ozone 12 Release and Upgrade Sale (Until October 6)

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iZotope Ozone 12 Release and Upgrade Sale (Until October 6)

Hello! I’m Jooyoung Kim, an engineer and music producer.

I’ve been meaning to continue my synthesizer explanation series, but I’ve been swamped with studying English lately… time is slipping away! ^^;;

Instead… well, not quite “instead,” but iZotope recently released Ozone 12, and to celebrate, Plugin Boutique is holding a sale. So, I thought I’d dive in and review it.

I received Ozone 12 as an NFR (Not for Resale) copy for this review. If you purchase through the links in this post, I’ll earn a small commission, which helps keep the lights on!

Let’s take a closer look, shall we?

Plugin/Module Overview

Plugin/Module NameDescriptionElementsStandardAdvanced
Stem EQIndependently EQ vocals, bass, drums, or instruments in a stereo file
Bass ControlAdjusts low frequencies
UnlimiterRestores overly compressed transients (powered by machine learning)
ClarityCreates smooth masters (seems like high-frequency enhancement)
MaximizerLimiter
EqualizerTraditional EQ
ImpactFine-tunes dynamics
StabilizerAdaptive mastering EQ
ImagerStereo imager (free to use!)
Match EQMatches frequency characteristics to a reference track
Master RebalanceAdjusts stem volumes at the mastering stage
Low End FocusLow-frequency specialized processor
Spectral ShaperFrequency-specific shaper
Dynamic EQDynamic EQ
ExciterExciter (think saturator, with 7 types)
DynamicsCompressor/limiter
Vintage TapeTape emulation
Vintage CompressorVintage-inspired compressor
Vintage LimiterVintage-inspired limiter
Vintage EQVintage-inspired EQ
Other Features
Master Assistant: Custom FlowCreates a customized mastering chain
Master Assistant ViewVisualizes the mastering process in Ozone 12
Stem FocusPrecise stem separation
Track ReferencingManages reference tracks
Transient/Sustain ModesEmphasizes transients or sustain
Assistive Vocal BalanceAdjusts vocal clarity and balance
DitherDithering
Codec PreviewTests compressed formats like MP3/AAC
Additional Plugins
AudiolensAudio analysis and reference tool
iZotope RelayLightweight channel strip for communication between iZotope plugins
Tonal Balance Control 2Frequency balance analyzer

Wow, that’s a lot, isn’t it? 🙂

The Elements version doesn’t include individual plugins and is limited to a streamlined version of the integrated plugin (number 5 in the list). Since there’s so much to cover, I’ll focus on the key plugins and the new additions in Ozone 12.

1) Stem EQ

I’ve never been a huge fan of stem separation tools in the past, but the technology has come a long way.

It’s not perfect, but it doesn’t sound unnaturally detached either. The way EQ is applied to stems feels impressively natural.

Compared to the older Master Rebalance, Stem EQ is much more precise. The sound is noticeably different, suggesting they’ve updated the algorithm.

This isn’t just for mastering engineers—it’s versatile enough to significantly alter the feel of the source material, making it a useful tool for many users.

2) Bass Control

This one’s a winner! iZotope plugins are known for their intuitive interfaces, clearly showing what you’re adjusting. Bass Control is no exception, displaying only the low-frequency waveform to give you a clear sense of whether the sound feels light, heavy, or punchy.

3) Unlimiter

Think of Unlimiter as an attack shaper. It doesn’t fully restore the original transients, but it does a great job of naturally enhancing them.

4) Impact

This is a fun one. Impact lets you emphasize or reduce transients on a per-frequency basis. It’s another reminder of how critical transients are in both mixing and mastering!

Applying it lightly to the low end can group the kick and bass together, creating a cohesive, groovy feel. Pretty cool!

5) Ozone

This is the core of it all, right? One-click mastering!

Personally, I’m not a huge fan of one-click solutions, and after testing it on a few projects, it feels like there’s still room for improvement.

That said, unlike older versions that relied solely on one-click mastering, you can now pick and choose effects to create a custom chain. Starting with suggestions for EQ, limiter, and imager can be a great jumping-off point! 😊

The other plugins are fairly well-known, so I’ll skip the deep dive there.

Both iZotope and Acon Digital have made it possible to perform stem mixing at the mastering stage using just a stereo track. It’s wild how far we’ve come!

Oh, and among the Advanced version’s additional plugins, I highly recommend Tonal Balance Control 2. When my ears feel off (like when I’m under the weather), this plugin always reveals something’s slightly amiss.

It’s also fantastic for studying other tracks and establishing your own reference point. Definitely give it a try!

Ozone comes in three versions: Elements, Standard, and Advanced. The table above details which plugins are included in each, so check it out to find the one that suits your needs.

Personally, I love Low End Focus, Stem EQ, Bass Control, and Impact, so I’d recommend Advanced. Standard is a solid choice too, but Elements might feel a bit limiting.

You can try the demo to see for yourself. I hope you find it useful!

Until next time! 😊


Safari Pedal Launch Sale (Ends Aug 31)

Hello! This is Jooyoung Kim, mixing engineer and music producer.

If you play electric guitar, you might already know Safari Pedals. They’ve just joined Plugin Boutique — and to celebrate, they’re running a launch sale!

(If you purchase through the link in this blog, I’ll receive a small commission, which helps keep my work going. Thank you for your support!)

[link]

Safari Pedals specializes in electric guitar pedals, cabinets, and related gear. True to their name, most of their effects are themed around animals — complete with animal names and illustrations.

They have quite a wide lineup, so here’s a quick overview:

PluginDescription
Gorilla DriveAnalog-style drive
Time MachineVintage-style compressor and filter, covering retro sounds from the 50s to 80s
Yak DelayUnpredictable delay patterns, in collaboration with Dan Mayo
Flamingo VerbFour reverb types (IR-based Room, Plate, Spring, Hall)
Lion MasterTrue peak limiter
Fox Echo ChorusModeled after the Roland RE-201
Dirty Dog ReverbReverb + distortion, in collaboration with Joe Chiccarelli
Owl ControlFour different compression styles
Rhino ReverbVintage hi-fi reverb inspired by the 60s–70s
Dragon EQ3-band EQ + drive
Ladybug ReverbLo-fi style reverb
Rabbit TapeTape plugin with cassette and reel-to-reel modes
Camel StripVintage-style compressor + EQ channel strip
Cobra FuzzAnalog-style stereo fuzz
Hawk PhaserColorful vintage phaser
Zebra ClipperVersatile clipper
Bull Sub MachineLow-end enhancer based on Leslie Brathwaite’s signature sound
Silver LlamaAmp modeled after Silvertone amps (included in Planet of the Amps bundle only)
Twin PandaAmp modeled after Fender Twin Reverb (bundle only)
Sun BearMastering-grade bus compressor
Level-OrCompressor/limiter based on Standard Audio 500 series hardware
Cassette BunnyVintage tape lo-fi sound
Falcon Air EQHigh-frequency enhancer EQ

All of these are included in the Everything Bundle. Instead of covering every single plugin here, I’ll highlight a few that stood out to me.


Gorilla Drive

Personally, I believe the simpler the pedal, the better. Too many parameters can slow you down and give you a headache when dialing in tones. That’s why I like straightforward tools like Gorilla Drive.

It has a Tilt-style “Tone” EQ in the middle, making it intuitive to shape your sound. Tonally, I’d describe it as a smooth, warm drive — but of course, sound is subjective, so try it for yourself.


Cassette Bunny

This one nails that soft, vintage cassette tape vibe — with rolled-off highs and extreme lows. In Studio Mode, the bandwidth opens up for more high-end saturation, but I actually preferred Home Mode for its character.

Great not only for lo-fi music, but also for adding subtle texture to background guitars.


Silver Llama (Planet of the Amps bundle)

Within the amp bundle, the Silver Llama really caught my ear. The FX Spring reverb in particular feels very wide and has a noticeable out-of-phase character.

The bundle also includes standalone FX plugins, so you can use just the effects without the amp if you want.


Yak Delay

This is a wild one. Hit the Random button along with the Sync button, and every delay parameter starts shifting in sync with the beat. Perfect for ambient music or experimental textures. I’ve never seen a delay behave quite like this before.


Fox Echo Chorus

Although it’s modeled after the Roland RE-201, it also includes reverb and chorus, making it a great all-in-one spatial tool. The convenience alone makes it worth checking out — and despite the extra features, it’s not priced higher than other plugins.


Dirty Dog Reverb

This one is pure attitude — a wide, spacious reverb drenched in distortion. While it’s obviously great for rock, it can add grit and depth to all sorts of genres.


Final Thoughts

These six are my top recommendations, but honestly, Safari Pedals’ entire lineup is well-optimized, unique-sounding, and easy to work with thanks to their intuitive controls.

The sale runs until August 31, so take your time browsing and see which ones spark your creativity.

See you in the next post!